Myles Morgan
Current #99k+
All Time #915.6k
Hard-hitting and raw. As is glaring when studying
Myles Morgan’s previous two releases in 2017 and 2018, the mood is gradually becoming darker, while vehemently insisting on retaining the crunchy-meets-brittle guitar tone that’s
synonymous with the sound of the disenfranchised underclass,
The lush reverb coating much of the instrumentation is a stark throwback to the live
reflections and echoes one would have experienced for real in disused London warehouses
or clubs where this music would have first been played to the masses. The hook line “left
here” could have any number of symbolic or literal connotations accompanying it,
A real sense of drive is established, not by conventional aspects like tempo and volume, but
from a really tasteful amount of activity from the bass work; going beyond the formalities of
chugging 8th notes around the root for duration of the piece. Morgan’s revival of what
seemed to have been a dwindling genre, is a suggestion that the rulebook is being reread –
harking back to a reaction against the highly produced, overly polished popular sound that
most are comfortable with. A new lease of life is being infused into the instrumentation,
consolidated with lyrics that resembled so much of what was thought then, reflected in
what many of us are feeling now....more
Country/Region : Others
Myles Morgan’s previous two releases in 2017 and 2018, the mood is gradually becoming darker, while vehemently insisting on retaining the crunchy-meets-brittle guitar tone that’s
synonymous with the sound of the disenfranchised underclass,
The lush reverb coating much of the instrumentation is a stark throwback to the live
reflections and echoes one would have experienced for real in disused London warehouses
or clubs where this music would have first been played to the masses. The hook line “left
here” could have any number of symbolic or literal connotations accompanying it,
A real sense of drive is established, not by conventional aspects like tempo and volume, but
from a really tasteful amount of activity from the bass work; going beyond the formalities of
chugging 8th notes around the root for duration of the piece. Morgan’s revival of what
seemed to have been a dwindling genre, is a suggestion that the rulebook is being reread –
harking back to a reaction against the highly produced, overly polished popular sound that
most are comfortable with. A new lease of life is being infused into the instrumentation,
consolidated with lyrics that resembled so much of what was thought then, reflected in
what many of us are feeling now....more
Songs(7)
Albums(7)
Playlists(0)
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Listen to Myles Morgan’s new songs including "Sorry We Lied", "Waste My Life Away", "On My Mind" and many more. Enjoy Myles Morgan’s latest songs and explore the Myles Morgan’s new music albums. If you want to download Myles Morgan songs MP3, use the Boomplay App to download the Myles Morgan songs for free. Discover Myles Morgan’s latest songs, popular songs, trending songs all on Boomplay.
Myles Morgan Biography
Hard-hitting and raw. As is glaring when studying
Myles Morgan’s previous two releases in 2017 and 2018, the mood is gradually becoming darker, while vehemently insisting on retaining the crunchy-meets-brittle guitar tone that’s
synonymous with the sound of the disenfranchised underclass,
The lush reverb coating much of the instrumentation is a stark throwback to the live
reflections and echoes one would have experienced for real in disused London warehouses
or clubs where this music would have first been played to the masses. The hook line “left
here” could have any number of symbolic or literal connotations accompanying it,
A real sense of drive is established, not by conventional aspects like tempo and volume, but
from a really tasteful amount of activity from the bass work; going beyond the formalities of
chugging 8th notes around the root for duration of the piece. Morgan’s revival of what
seemed to have been a dwindling genre, is a suggestion that the rulebook is being reread –
harking back to a reaction against the highly produced, overly polished popular sound that
most are comfortable with. A new lease of life is being infused into the instrumentation,
consolidated with lyrics that resembled so much of what was thought then, reflected in
what many of us are feeling now.
Myles Morgan’s previous two releases in 2017 and 2018, the mood is gradually becoming darker, while vehemently insisting on retaining the crunchy-meets-brittle guitar tone that’s
synonymous with the sound of the disenfranchised underclass,
The lush reverb coating much of the instrumentation is a stark throwback to the live
reflections and echoes one would have experienced for real in disused London warehouses
or clubs where this music would have first been played to the masses. The hook line “left
here” could have any number of symbolic or literal connotations accompanying it,
A real sense of drive is established, not by conventional aspects like tempo and volume, but
from a really tasteful amount of activity from the bass work; going beyond the formalities of
chugging 8th notes around the root for duration of the piece. Morgan’s revival of what
seemed to have been a dwindling genre, is a suggestion that the rulebook is being reread –
harking back to a reaction against the highly produced, overly polished popular sound that
most are comfortable with. A new lease of life is being infused into the instrumentation,
consolidated with lyrics that resembled so much of what was thought then, reflected in
what many of us are feeling now.
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